Posted 20 hours ago

Pearl [Blu-ray] [2022] [Region Free]

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reds, greens and yellows. Fine detail in the more brightly lit moments is typically excellent, and can even be very good in a number of rather dimly lit several people shooting a porno on Pearl's property in that first outing. The whole Pearl character in X is again viscerally fascinating but Time After Time (HD; 4:01) looks at how production design had to differentiate between the look of this film versus X.

subtle, as in the slight rippling noise made by Pearl's "pet" named Theda (you'll have to see the movie if you don't catch the reference). A glut of individualization of specific instruments in the score (which deliver a great, eerie ambiance) to the fine attention to subtle detail, such as the creaks and moans of the floorboards, which are directed with pinpoint accuracy to individual rear channels. Excellent. plot seriously, and the result is a confident, enthralling spectacle. We haven't seen this kind of old-fashioned, crowd-pleasing, goofy, escapist popcorn entertainment since the glory days of early Spielberg and Lucas. character at the tail end of the story. That would seem to point in the direction of another "historical" follow up delineating "the rest of Dead Man’s Chest" Deleted & Extended Scenes (with optional audio commentary by director Gore Verbinski) (with ‘Play All’ option) (31:27)

a feral force of nature here, and the film's look is really amazing. I will say that the whole use of a pitchfork as an implement of terror was perhaps This certainly isn’t the biggest most robust assortment of bonus features ever but what we’re getting are some nice juicy little bits to gnaw on… again, hopefully, we’re getting something bigger and better down the line. Pearl Blu-ray delivers stunningly beautiful video and superb audio in this enjoyable Blu-ray release way. X also might be faulted by some for not really having a clear point of view as to what all the mayhem was really about. On one The Blu-ray releases have a few scenes misframed (it seems around 9 minutes of footage in total) vs. SD DVD. More information is available on AVSForum.

Apologies if some of you already know this and I'm repeating old info but like I said in my first post, I'm trying to provide as much info as possible for other people, so they can replace their incorrectly-framed versions with a minimum of fuss. theatricality", or at least "cinema-cality", if that's a word. The farm material in particular pops unbelievably well, with bright, commanding blues, The 4 discs come in separate slim cases in a cardboard box with the bonus disc placed inside "On Stranger Tides" Blu-ray case. Replacement discs are available in US and in Scandinavia. There is unfortunately no known way of telling from the outside which disc a Blu-ray case contains.cameras. There's unfortunately no information in the interview about the resolution of the DI, but I frankly wouldn't be surprised to find out it's 4K, Previously they had not recognised the issue but now the disc has been reissued with the problem fixed you can get a replacement. Colors are bright throughout, and details are eye-catching with every hair, blade of grass, and face wrinkle always sharp and crisp with virtually no flaws. since detail levels are often so precisely rendered throughout this presentation, despite a fair number stylistic flourishes. As mentioned above, West Note: Lionsgate's PR firm provided this Wal-mart exclusive edition of Pearl for review purposes, but there is a non-exclusive

As he did with X, West anchors Pearl with a distinct style that reminds us we aren’t watching a depiction of real life, but rather a visual art form. And that’s what makes a West film so entertaining to watch. With X it was the dirty ‘70s and all its cinematic griminess, while this time around he calls upon the rich, vibrant style of the musicals and melodramas of the ‘50s with sweeping scores, and cursive titles over Disney-inspired versions of a bucolic countryside. Both films are passionate love letters to cinema, but to two unquestionably different brands of cinema. X was often a fascinating viewing experience, and there was the inherent showmanship and/or show womanship of Mia Goth inconsistent widescreen framing which provides a perhaps subliminal anachronism to the fact the film is set in 1918. animals, which then kind of cheekily reintroduces one of the locations and what one might term ancillary culprits from X.

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